Clark UK
Across a career spanning over 20 years and 10 albums with the Warp label, Clark has constantly shifted and evolved his sound. Shining throughout is a love of melody, surprise, detail, texture and exploration. Equally likely to melt your heart and face, often both at the same time. ... more
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Blackbox Life Recorder 21f / in a room7 F760
by Aphex Twin
supported by 8 fans who also own âSuperscopeâ
Shit is sick. Get it on vinyl if you can
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supported by 5 fans who also own âSuperscopeâ
Squarepusher a révélé l'existence de Dostrotime grùce à un single qu'il fallait passer dans un oscilloscope, un choix lourd de sens car c'est l'album tout entier qui suit le mouvement d'une vague et les "Arkteon" servent de transitions. C'est d'abord un raz-de-marée : l'IDM est euphorique, il croise breakcore et trance ("Wendorlan") avec des sonorités rock ("Enbound"). Il nous pousse dans le fossé partir de "Holorform" et c'est le chaos qui rÚgne. Dostrotime, c'est la chronique d'un lunatique !
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supported by 5 fans who also own âSuperscopeâ
looking forward to seeing your live show for my first time. this album is very unique, creative. Beautiful,Amazing
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You're Killing Me, Bro
by Leon Louder
The maximalist world of Leon Louder's electronic production is a direct musical translation of digital information overload.
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Form Grows Rampant
by The Threshold HouseBoys Choir (Peter "Sleazy" Christopherson of Coil)
A reissue of this out-of-print album of eerie atmospherics and computer-generated surreality from Coil's Peter "Sleazy" Christopherson.
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Soundtrack [313] + 6
by The Detroit Escalator Company
Neil Ollivierra's 1996 gem showcases a pioneering combination of techno, sound collage, and ambient.
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supported by 5 fans who also own âSuperscopeâ
Out From Out Where : Amon Tobin est mort ; Foley Room : vive Amon Tobin ! La renaissance qui Ă©tait mise en Ćuvre dans le Nostril d'Igorrr, passant par une masse organique et informe ("Very Long Chicken"), je la retrouve chez Amon Tobin mais Ă l'Ă©chelle de toute sa discographie. Il repart Ă zĂ©ro, met au placard ses samples de jazz : il passe de la musique au bruitage. La beautĂ© se trouve moins dans les instruments que dans les bruits de tous les jours â prĂȘtez l'oreille et vous le comprendrez !
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